Zeiss Loxia 21mm f/2.8 Lens for Sony E Mount

$1,090.00Save 8%
$999.99
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$999.99
B&H Photo-Video-Audio
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Zeiss Loxia 21mm f/2.8 Lens for Sony E Mount$999.99

The Loxia 21mm f/2.8 is the latest addition to the Zeiss Loxia family lineup, a super wide-angle lens developed for compact full-frame cameras with E-mount. Especially practical for cinematographers, the Zeiss Loxia 21mm f/2.8 has the mechanical aperture setting and the de ...The Loxia 21mm f/2.8 is the latest addition to the Zeiss Loxia family lineup, a super wide-angle lens developed for compact full-frame cameras with E-mount. Especially practical for cinematographers, the Zeiss Loxia 21mm f/2.8 has the mechanical aperture setting and the de-activation of the aperture click stop.

It also offers trusted features that merge traditional photography and modern technology. The lens' electronic interface transmits data (EXIF) as well as the focus movements and – if desired by the photographer – activates the magnifying function of the camera. For the sophisticated photographer who does not want to leave all the work to the camera, there are many opportunities to compose thanks to the lens' precise manual focusing with end stop and the mechanical setting of the aperture (aperture priority mode for the working aperture).

As a result, photographers can take advantage of all the possibilities offered by modern compact system cameras with an electronic viewfinder. With an angular field exceeding 91 degrees (diagonal) on a full-frame camera, the Zeiss Loxia 21mm f/2.8 is well suited for nature, landscape and architectural photography. In landscape photography in particular, an exact infinity setting is a critical factor.

Here, the precise manual focusing of the Zeiss Loxia 21mm f/2.8 supports the user enormously. Furthermore, the lens enables creative, naturally proportioned images with a low minimum object distance of just 0.25 meters (9.84 inch). The Zeiss Loxia 21mm f/2.8 is extremely compact and light, making it the perfect choice for travel and street photography.

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